Olga Cheremnykh
Olga Cheremnykh (b. 1990) is a Russian soprano. She has studied at the Novosibirsk and St Petersburg Conservatories, and has performed numerous opera roles in St Petersburg. In recent years her roles have included Giulietta in Offenbach’s Contes d’Hoffmann, the title role of Tšaikovski’s Iolanta, Tatiana in Tšaikovski’s Eugene Onegin, Marfa in Rimsky-Korsakov’s Tsar’s Bride, Mimì in Puccini’s La Bohème, Micaëla in Bizet’s Carmen and Fiordiligi in Mozart’s Così fan tutte.
Repertoire
| Preliminary round | |
| G. B. Pergolesi | Stabat Mater: Vidit suum, dulcem natum |
| E. Chausson | Le temps des lilas (Bouchor) |
| H. Wolf | Schweig’ einmal still, du garst’ger Schwätzer dort! (Heyse) |
| P. Tšaikovski | Jolanta: ”Otšego eto prežde ne znala” (Jolanta) |
| Semifinals | |
| J. Sibelius | Die stille Stadt (Dehmel) |
| S. Slonimski | Seven romance to the Poets of Anna Ahmatova |
| 1. Beloj notšju | |
| 2. O tom, tšto son mne pel | |
| 3. Lutšše b mne tšastuški zadorno vyklikat | |
| 4. Ja nedarom petšjalnoj slyvu | |
| 5. Ja s toboj ne stanu pit vino | |
| 6. Tvoj belyi dom I tihi sad ostavlju | |
| 7. Dušnyi hmel | |
| G. Puccini | La Bohème: “Addio...Donde lieta usci” (Mimi) |
| Final | |
| G. Verdi | Il Corsaro: ”Non so le tetre immagini” (Medora) |
| N. Rimski-Korsakov | Tsarskaja nevesta: “Ivan Sergejevitš, hotšeš v sad poidjom” (Marfa) |