Repertoire
The repertoire must include works sung in at least three languages.
Preliminary round
- An aria from a passion, oratorio, mass or cantata composed before 1760.
- Two solo songs of which at least one must be a Lied sung in German.
- An opera or concert aria.
Each competitor will have a maximum of 20 minutes at their disposal.
Semifinals
- A song by a Finnish composer. (See a list of recommendations – PDF, 184 KB.)
- A group of solo songs (lasting 15-20 minutes).
- An opera or concert aria.
Each competitor will have a maximum of 30 minutes at their disposal.
Final
Two works with orchestral accompaniment, of which at least one must be an opera, oratorio, cantata or concert aria.
Each competitor will have a maximum of 20 minutes at their disposal.
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All songs performed in the preliminary round and in the semifinals must be for voice and piano. No other instruments are allowed.
The group of solo songs in the semifinals may, for example, consist of an entity comprising a song cycle or part of one, a group of songs by one composer, or a group of songs by different composers but having a common topic. The songs must be ones composed specifically for voice and piano or arranged by the composer themselves for voice and piano.
The repertoire must include works sung in at least three languages. Each piece may appear only once in the competitor’s repertoire. It is recommended that competitors build their repertoire to reflect the diversity of music and its makers.